Wait Till the Moonlight Falls on the Water.There Are Friends That We Shall Never Forget.National Hymn (My Country ‘Tis of Thee).Moet and Chandon or The New Champagne Charlie.I’ll Hang My Harp on the Weeping Willow Tree.The Harp That Once Through Tara’s Halls.Believe Me If All Those Enduring Young Charms.The Internet Archive has Songs That Never Die available for download. This focused exhibition of recent acquisitions from MCASD’s collection presents three Spirit Girls films- Songs That Never Die (2005), A Western Song (2007), and The Campfire Song (2008)-in conjunction with sculptures, photographs, and a related early film, The Forgotten (2001).This is one of a series of posts about books used as source material for Art Song Central. With Weber performing as lead singer, the Spirit Girls appeared in three subsequent films and numerous live performances over the course of a decade. Like the Spiritualists, who ushered in the nascent women’s rights movement, the Spirit Girls’ music delivers messages of liberation from the great beyond. The band also reflects Weber’s interest in the American Spiritualist movement of the 19th century, in which young women were the central public actors, performing séances before audiences. Wearing white masks, long wigs, and Victorian attire, the Spirit Girls were inspired by the male theatrical rock bands of Weber’s youth. In 2005, Weber debuted her filmic installation Songs That Never Die, which introduced the Spirit Girls, a fictitious all-female rock band whose members died tragically in the 1970s. In the artist’s macabre fairy tales, these figures navigate uncanny landscapes on journeys of transformation. Her dream-like films feature a cast of motley characters, including animals, monsters, trees, and clowns, with supernatural female protagonists at their centers. Weber’s homespun, haunted-house aesthetic evokes the gothic side of American folkloric traditions, imparting a sense of old-time magic to narratives of lost innocence. Marnie Weber emerged in Los Angeles’s punk music and performance art scene of the 1980s, and has since become known for installations in which sculpture, film, music, costuming, and collage come together to form whole, fantastical worlds.
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